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Using Zaber Stages for Filming a Bee’s Eye View

Published on Jun. 08, 2022

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Filmmaker, Duncan Parker, used a set of Zaber stages along with other equipment for the purpose of filming a wildlife documentary sequence for National Geographic Channel. His challenge was to film a bee’s journey from first emergence from a cell to flying out into the world. Duncan used an arsenal of lenses and lights to capture the shots needed for the sequence. Producer, Josh Helliker, had a clear plan for the style of shots and lighting. One of the things that had not been done before in the filmmaking world, was to follow and film a bee as it moved around its very organized yet very busy hive.

using Zaber stages to film bees eye


Zaber's stages were very handy for this purpose. Using a joystick to control stage velocity it was possible to move incredibly smoothly within centimeters of the bees in any axis, giving a true bee's eye view. One shot was designed to mimic the perspective of a bee flying between two frames in a hive while rotating on its axis. Using a Zaber rotation stage, combined with a linear stage, this was easy to achieve.


Figure: Zaber rotation stage in motion

The accuracy and low speeds achievable with Zaber stages made it possible to track across a bee's head in real time, as it was communicating with another bee. This was done using a high magnification macro lens. These types of lenses are almost always limited to no movement due to accuracy, but Zaber motion control made this achievable.

Filming bee's eye view


The entire shoot took place over thirty days and both Josh and Duncan found it an incredibly fascinating and rewarding process seeing into the world of a bee while achieving some incredible footage for the series.

Filming bee's eye view larva Filming bee's eye view close-up

About Duncan Parker

Duncan is a lighting cameraman and filmmaker with 10 years of experience working with the BBC, Amazon, Netflix, NatGeo and independent production companies, across a variety of docu-film and wildlife series, shooting long lens, macro, and specialist cameras. He has a particular passion for the wildlife and people of Madagascar and has worked on various environmental films there.

Duncan has a BSC in Wildlife Conservation and enjoys working on films that raise environmental awareness and tell emotional stories that make a difference. When not filming he enjoys climbing, playing music with friends, surfing and furniture making.

To read more visit http://duncanparker.co.uk/wordpress/